In this series of black and white Polaroids it is unclear what precisely is happening in each image; it is only clear that something is happening.
Upon close inspection, the images depict events which take place in the same area and were photographed from a similar vantage point.
The passive facts presented by each Polaroid do not tell a complete story but seem like they do, inviting speculation and interpretation.
This potential for interpretation allows fictional events to be constructed out of real events. The juxtaposition of these Polaroids when displayed together in pairs expands and directs their narrative potential while subtle differences between images in details like weather and objects cast suspicion on the truth of the connections created by these groupings.
Real events take on a staged quality as the Polaroids provide evidence not for what did happen but for what did not.